Remembering KODA: A Ghanaian Gospel Music Icon

Kofi Owusu Dua Anto, widely known as KODA is a beloved figure on the Ghanaian gospel music scene – a talented singer, songwriter, record producer, and multi-instrumentalist.
Born on December 15, 1978, in Takoradi, KODA’s musical journey began at a young age when he developed a passion for playing musical instruments.

Under the guidance of his mother, he honed his skills and excelled in playing the guitar.
His talent and dedication eventually led him to become the mass choir director at the Kwame Nkrumah University of Science and Technology (KNUST), where he also distinguished himself as a music director and instrumentalist for various groups.

KODA’s contributions to the gospel music landscape were immense. He co-wrote, mixed, mastered, and produced the acclaimed album ‘Awurade Ei’ for KNUST’s “God’s Instruments,” garnering widespread acclaim and recognition across the country.
Hits like ‘Awurade Ei (Se Woma Wonsa Soa)’, ‘Tumi’, and ‘Onyame Ye D’awase’ solidified his reputation as a top-tier producer and artist.

Throughout his illustrious career, KODA collaborated with numerous gospel luminaries both in Ghana and abroad, including Nii Okai, Pastor Joseph Gyebi, Danny Nettey, and Diana Hamilton, among others.
He also formed the music group “The Anointed,” which supported many gospel ministries in Ghana and beyond.

In addition to his production work, KODA released several solo albums, including “Nyame Beye,” “Waye Wie,” “Black & White,” and “OXYGEN,” each showcasing his remarkable talent and spiritual depth.

As a music tutor, he shared his expertise through instructional DVDs on bass and lead guitar, enriching the next generation of musicians.

KODA’s legacy extends beyond his music. He was a devoted husband to his wife, Ewurama Dua Anto, also an anointed singer, and a loving father to their two sons and daughter.

In an interview with RGGNEWS, Emmanuel Donkoh, a gospel singer, expressed deep sadness at the passing of KODA, whom he regarded as his role model since childhood. An indigene of Takoradi like KODA, Donkoh expressed his determination to honour KODA’s legacy by establishing his own musical footprint in the Western land.

Similarly, Maame Efua, a devout follower of gospel music, shared how KODA’s music had a profound impact on her spiritual life, bringing inner joy and solace. Efua emphasized the liveliness and uplifting nature of KODA’s performances, noting that his music had the unique ability to bring joy to those in sorrow.
She believes KODA’s departure leaves a significant gap in the music industry, one that will be deeply felt by fans and fellow artists alike.